Over the course of three decades, John Leguizamo has etched his name into the annals of cinema with a string of successful films. From lending his voice to Sid in the beloved Ice Age franchise to gracing the screen in the iconic musical Moulin Rouge!, Leguizamo has curated an impressive repertoire. Yet, despite his illustrious career, the actor candidly acknowledges past missteps in film choices that have left him with a tinge of regret.

In a recent interview with Business Insider, John Leguizamo reflected on some pivotal roles he passed on, lamenting missed opportunities for cinematic stardom. Among these regrets stands out his decision to decline a part in the blockbuster hit Mr. and Mrs. Smith, starring Brad Pitt and Angelina Jolie. Leguizamo revealed that he initially turned down the role due to unfounded allegations of racism against the film’s leads, which later proved to be baseless.

Recalling his career’s highs and lows, Leguizamo bared his soul about the moments of poor judgment that punctuate his otherwise stellar trajectory. He expressed lingering frustration over rejecting the role of Nigel in The Devil Wears Prada, a character ultimately portrayed by Stanley Tucci. Similarly, he rued declining a role in the animated comedy Happy Feet, which was later voiced by Robin Williams. Leguizamo confessed that his rationale at the time, particularly his reluctance to be associated with another animated film after Ice Age, seems foolish in hindsight, costing him potentially lucrative opportunities.

Yet, it was his decision to pass on Mr. and Mrs. Smith that weighs heaviest on Leguizamo’s conscience. Admitting the misguided nature of his choice, the actor revealed that his reluctance stemmed from a perceived disparity in pay between himself and the film’s stars. Feeling undervalued by the proposed compensation package, Leguizamo hesitated to commit to the project, assuming the discrepancy was rooted in racial bias.

In hindsight, Leguizamo acknowledges the fallacy of his assumptions and the folly of his decision-making process. He concedes that his insecurities, stemming from experiences of marginalization, clouded his judgment, leading him to misconstrue the situation. Ultimately, Leguizamo recognizes the need for self-reflection and growth, acknowledging the imperative of therapy to overcome such ingrained biases.

While the role ultimately went to Vince Vaughn, Leguizamo’s revelation serves as a poignant reminder of the complexities of navigating Hollywood’s landscape, where perceptions of worth and opportunity are often colored by factors beyond mere talent. Through introspection and humility, Leguizamo confronts his past missteps, offering a glimpse into the relentless pursuit of self-improvement amidst the ever-evolving dynamics of the film industry.